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Playlist: Buckeye Love 2025

Feb 11, 2025

A shirtless man with a skin condition kisses a brunette woman who’s wearing his shirt.

This theme for this year's staff-curated playlist for Buckeye Love Week? Offbeat love songs, inspired by our Valentine's Day screening of David Cronenberg's The Fly. Scroll past the playlist for an interview with Assistant Film/Video Curator Layla Benali on her unique choice of love story and some comments from our playlist contributors about their selections.

 

While the typical Valentine's Day film may be described as "mushy," Layla Benali thinks the Wex's choice for February 14th—David Cronenberg's The Fly—is a bit more... gooey.

“My favorite programming ideas kind of start off as a joke,” Benali says. “Like, ‘What if we showed The Fly on Valentine’s Day? How funny would that be?’ I think I threw it out there, but Chris [Stults, associate Film/Video curator] hooked onto it. It was a result of conversation and collaboration.”

For the uninitiated, The Fly is Cronenberg's 1986 remake of a classic sci-fi cautionary tale from 1958. It revolves around Seth Brundle (Jeff Goldblum), an eccentric scientist who offers an inside scoop to journalist Ronnie Quaife (Geena Davis): He’s building a set of pods that can teleport objects between themselves.

What results is romance, passion, and a grotesque transformation into a human-fly hybrid.

“I watched it and was like, ‘Wow, I think this is a perfect movie,” Benali says. “I had a blast from beginning to end.”

A perfect movie for Valentine’s Day? Arguably, Benali says, because the movie begins with a well-known romantic trope.

“Early in the film, it’s set up almost like a meet-cute. A David Cronenberg, off-kilter meet-cute,” Benali says. “They have this moment of connection pretty early on, and maybe it’s not a conventional romance, but it’s a story of two people who find each other and get to know each other on so many levels, and that’s what makes the end such a tragedy.”

Benali says that they’ve only dipped their toe into the murky waters of the horror genre in recent years, crediting friends and the F/V team at the Wex for broadening her horizons.

“There have been programs we’ve done here that have opened my eyes to it, like when Jennifer Reeder comes in and shows her films, or when we did [a summer series on] Dario Argento. It’s a slow and steady process, but I do feel like I’m learning more, and I’m curious.”

Curiosity, Benali says, is also a driving force behind Cronenberg’s corner of the horror genre. What can one do with the human body? How gross can it get? And how long will we, as an audience, give in to our own morbid curiosity?

Benali likened the phenomenon to eating spicy food. “It’s fun to hurt, a little bit, and know you’ll be okay,” they say.

Sharing a really spicy dish—or a certified gross-out film—with a friend, partner or fellow moviegoers is just as enjoyable. When programming films, the audience experience is at the forefront on Benali’s mind; The Fly felt like the perfect choice for a packed theater.

“I thought it would be fun to show something that will be fun if you’re in love or not in love,” Benali says. “It’s just as fun if you are watching it with a partner or just with your friends… Or, if you need the catharsis of killing your ex.”—Honour Lackey, Wex outreach intern

Staff Playlist Contributors

  • Patrick Bradford
    • On Troye Sivan's "One of Your Girls": "To put it briefly, if you know you know."
  • Yafonne Chen
    • On Roc Chen’s “Xiao”: “It’s from the TV series Royal Nirvana, but this music is often used in movies to depict a couple's joint suicide by sword. Fate leads them to a dead end in this life, and they hope to return in the next life after dying and passing the Rock of Oblivion.”
  • Austin Dunn
    • On Talltale’s “Tennis Club”: “You ever yearn for someone so much you join a tennis club?"
  • Kathleen Felder
  • Jon Gonzalez
    • On Carcass' "Exhume to Consume": "I'm sickly obsessed (with the badly decomposed)."
  • Joanna Hammer
    • On Alicia Keys’ “You Don’t Know My Name”: “This coffee shop romance deserves its own fan fiction.”
  • Paul Hill
  • Laurel Hilliard
  • Dani Kissinger
    • On DEVO's "That's Good": "A love song to community; a reminder to treat others better."
  • Honour Lackey
    • On Divinyls' "I Touch Myself": "Pretty much says it in the lyrics."
  • Tracie McCambridge
    • On Blondie’s “Heart of Glass”: “When I was five years old, I used to dance around to my parents’ 8-track of this song feeling very angry at boys.”
  • Allie Mickle
  • Jaz Nappier Mingus
    • On Renee Rapp’s “Talk too Much”: “Ultimate weirdo self-cringe love anthem about how hard it is to shut up when they're around.
  • Francesca Mouery
  • Erik Pepple
    • On TV on the Radio’s “Ambulance”: "’I will be your ambulance, if you will be my accident.’ Earnest and deceivingly sparse in the search for mutually assured dedication.
  • Jim Petsche
  • David Pierre
  • Raghav Raj
    • On Randy Newman’s “A Wedding in Cherokee County”: “Portrait of a shotgun wedding, love at its most insecure and miserable.“
  • Matthew Reber
    • On The Monks'"I Hate You": "A love song."
  • Audrey Rush
    • On Janis Joplin’s”Piece of My Heart”: “A little something for the ‘Love Stinks’ crowd.”
  • Adin Sadic
  • Ryan Shafer
    • On Roxy Music's "If There is Something": "That Phil Manzanera solo. Notable for discussion of potato tending."
  • Eli Shall
  • Melissa Starker
    • On Iggy Pop’s “Tonight”: “A beautiful love song, almost a lullaby, sung over a dying lover's body.”
  • Chris Stults
  • Gaëtane Verna

Top of page: The Fly, courtesy of 20th Century Studios

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